Film Analysis: Band Frontman Jason Williamson Assumes Role in Critical Examination at 90s Rave Culture
Produced by Portishead co-founder the musician-producer, this scabrous though undernourished debut feature casts a critical gaze on 90s rave culture. Venal drug user David (Marc Bessant) first robs an passed-out supplier, then in a later recollection tries to burgle his own family home. In no time, he's overturned in the wreckage of his car in a woodland – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society embodied: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his safety harness, while clumsily segueing into past scenes of his normal activities. The central theme – that the ecstasy generation were mainly focused on number one – is firmly made. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David strangles his dog. Nevertheless, a darkly funny duel takes hold – David desperate to escape; the Poacher withholding his jerrycan of cider, determined to dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.
Stylish Imagery and Promo-Inspired Vibe
Just a single key story turn, but it leads to a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing impressionistic closeups of bugs in headlights in the opening part, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in British and Irish theaters from 17 November.